Portrait of the artist with Gala © Fundació Gala-Salvador Dalí Dalí and his paranoiac-critical method He’s fully exploring his Surrealist period. At the time when he paints The Persistence of Memory, Dalí is reconstructing himself, both personally and artistically. He’s introduced to the woman he’ll soon marry, Gala, via her then-husband, Paul Éluard. Themes such as the unconscious, dreams, time and death are explored in the multidisciplinary movement. Salvador Dalí joins the Surrealists in 1929 after meeting some members of the group, thanks to Miró. Obviously, Surrealism is deeply inspired by psychoanalysis. This idea lives through Surrealism, which its founder André Breton defines as “a pure psychic automatism, in the absence of any control exercised by reason,” ( Manifesto of Surrealism, 1924). The group rejects the conventional definitions of art and its traditions. It is from this deep disgust that the spirit of Dadaism is born. Prior to that, the Great War unveiled an unprecedented brutality, which is rejected by a new generation of artists. The events led to Franco’s accession to power in 1939. Spain experienced a period of great poverty, caught right in between two totalitarian regimes: a monarchy and a dictature. Indeed, the country was experiencing the early beginnings of the Second Spanish Republic, which was soon disrupted by the Civil War in 1936. During this year, Spain suffered from great political instability. The creation of The Persistence of Memory dates back to 1931.
Photograph of Madrid on Ap© L’Humanité A masterpiece of its time
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